Vinyl Love

In May, I did some records for APW‘s ‘Arts On Record 2′ show.

I finished four in time for the show. They hung them, destroyed the backs of them with glue, and mailed them back with another piece which they also damaged. This in itself was a feat, as I contacted them three or four times over the course of 8 months and they never responded to my inquiries until I threatened them with legal action. In retaliation, they busted my art. Many people have had similar experience to my own.

Anyhow, the four that I did are right here. I went with a weird ‘supervillain and funky font’ theme.

The fifth was never completed.

eggsPerhaps for the best.

Yes, the weird grammar is intentional.

A few weeks ago, I fell into a very peculiar time in my life when nothing made sense but Tom Waits.

Food didn’t taste like much, the sky didn’t look like much, the world didn’t feel like it was willing to give too much up for me but disappointment and the memory of soft, white hands. Hours of every Tom Waits album in a random playlist were the only comfort. Making awkward videos of myself playing ‘Yesterday Is Here’ on the guitar. Annoying everyone I know with ‘Nirvana’.

tom_waitsToday, ‘Orphans’ was put up for pre-order. On vinyl. Originally a three CD set divided up according to the nature of the songs that Mr. Waits tends to construct (Brawlers, Bawlers and Bastards), I’ve lately been favoring the Bawlers. The sad songs of love disconnecting, or shifting irreparably like tectonic plates with the sound of broken guitars and pianos full of bones. All of these notes? They became my people. They were at least as human as I was, which was becoming marginal and pale and hirsute.

I realize that it’s disgustingly ‘hipster’ to have a turntable and use it with relative frequency. The thing is that I usurped a disused turntable back in early junior high and slowly progressed through two decades’ worth of LPs that the house had accumulated (just as CDs were becoming a viable medium for music distribution). Frayed wires hung from the back of the turntable and snaked around to dusty, brown-fabric covered speakers that were the size of a human torso, pressed up against my bed and humming. I purchased a Numark PT-01 when it became clear that the old turntable’s needle was no longer serviceable, and that the cost of obtaining a vintage stylus for an obscure make of record player would be more expensive than just purchasing a new and improved model. I also intended to use the machine to capture lost sounds from Voice-O-Graphs, Recordios and anything which had never made into a CD format. I was hunting ghosts.

That old turntable was my mother’s, and it was a relatively new gift to her from my grandparents that she obtained right before she went far upstate into the wilds of New York for college. Immediately after her departure, it was swiped by a jealous brother and abused beyond recognition in a cycle that still repeats to this day with a wide variety of objects. It had a busted 8-track, lots of buttons that didn’t perform any discernible function or illuminate any of the long, orange lights, and an enormous, dusty silver knob that would fall off fairly often.

But there’s a romance to listening to these LPs. Watching them move in a way that any MP3 visualizer could never replicate. The physical forces between two surfaces creating beautiful sounds. It’s not a hipster thing. It’s a ‘born 50 years too late’ thing. It’s a sensual thing.

I cashed in $125 from my PayPal account to pay for this set of records – money that was once all in the form of small, lead figurines of Marvel Comics superheroes that didn’t do anything for me anymore. As if Cable really did anything for anyone, ever, anyhow. Something about hearing ‘Long Way Home’ imperfectly scratching out of a record seems like heaven. But I’ve always had a very strange idea of heaven.